In 2005, I was home with a toddler and a breastfeeding infant, the biological imperative to be a stay-at-home-mom overruling my hard-wired desire to write. I felt trapped, and spent a lot of time asking God why he made me a writer and then set me in a place where writing a coherent paragraph was less likely than taking an uninterrupted shower.

The Wolf Gift

It was during this conflict of callings that a friend suggested I read Anne Rice’s most recent book. The proper-church-girl in me responded with scorn, “I don’t read vampire books.” (I have since had ample opportunity to repent of that attitude.) But this was Christ the Lord, Out of Egypt, the story of Jesus’ childhood, written with deep respect, reverence and imagination. Anne Rice was no longer the author who would celebrate a book launch by throwing herself a mock New Orleans-style jazz funeral. This is Anne Rice, the devout Catholic, who after returning to the vibrant faith of her childhood has dedicated and sanctified all of her writing for Christ.

For me Out of Egypt, and its sequel Christ the Lord, the Road to Cana, lifted Jesus from the two-dimensional flanelgraph understanding and made him real in a way I hadn’t experienced since watching the movie Passion of the Christ. As a tryptic, the two books and movie underscore the verses most difficult to understand, the human part of Jesus who was fully God and fully Man.

For me as a writer, Anne did something else, she demonstrated in glorious detail that a Christian author does not have to write with hackneyed prose and be limited to stories about people wearing bonnets. And, to my immense delight, when I sent her an e-mail thanking her for her work and inspiration, she responded with a kind and graceful note.

The Wolf Gift is her most recent novel and at first blush seems to be a reversion to her previous fascination with the supernatural. The Wolf Gift is about werewolves, violent werewolves, and cruel humans and extramarital sex of all sorts. It might be a little much for the chaste bonnet romance crowd, but hang on with me for a minute longer.

In the back of Out of Egypt, and in her recent biography Called out of Darkness, Anne evaluates her previous body of work. Writer Patricia Snow sums up, “Of her secular books—books about creatures ‘shut out of life, doomed to marginality or darkness’—(Anne Rice) says flatly, ‘These books transparently reflect a journey through atheism and back to God. It is impossible not to see this.’”

That journey is deliberately explored in The Wolf Gift.

The protaganist, Rueben, is a gifted reporter but dismissed by nearly everyone he respects because of his youth, beauty, gentle nature and his trust fund status. His has been a charmed life, gifted with everything he could want except the one thing he truly longs for – respect. Until the night he is bitten by a strange, unseen beast. Within weeks he finds himself struggling with the curse – and the blessing – that he comes to call the wolf gift.

More surprising than his ability to transform from human to werewolf form, is the imperative he feels at a biological level to defend the innocent from violence. Soon the news outlets are tracking the exploits of the Man Wolf as would be rapists and murders are dismembered and eaten, while the rescued tell tales of a beast who treats them with extraordinary gentleness.

Rueben finally has to leave the city to get away from the voices of the victims he hears all hours of the day, wondering to himself, “God, what is it like to be You and hear all those people all the time everywhere, begging, imploring, calling out for anything and anyone?” It seems that Rueben and others like him are one of God’s answers to those cries. Perhaps Anne is saying we all are supposed to be the answer…

Rueben’s brother, Jim, is a Catholic priest, a good priest who serves his impoverished parish well. Unable to keep the secret to himself any longer, he confesses everything he’s done – killing numerous people who were about to kill others – and that he couldn’t make himself feel bad for it, it was a moral as much as a biological imperative.

Finally, Jim says, “May God protect you.”

“Why would He do that?” Rueben asked.

“Because He made you. Whatever you are, He made you. And He knows why and for what purpose.”

Finally Rueben finds some answers from other Morphenkinder, who have been working out what the wolf gift means to them for centuries. One of the oldest imparts this word of wisdom, “You are creatures of body and soul, wolfen and human, and balance is indispensable to survival. One can kill the gifts one is given, any of them and all of them, if one is determined to do so, and pride is the parent of destruction, pride eats the mind and the heart and soul alive.”

Replace “wolfen and human” with “eternal and mortal”, and you end up with credo to live by.

This is not a “Christian” book in a traditional sense – but the spiritual issues Anne explores are eternal. She raises questions of morality and purpose, love and justice, faith and experience, and not all of them are answered. But then, these are answers we really need to find for ourselves.

Perhaps you’ve seen it on Facebook, authors challenging each other to post seven lines from their Work In Progress (also known as WIP).

My friend Amy Rose Davis, who self-published the amazing Ravenmarked (I rave about it here), posted a few paragraphs from her “cowboy-witch-dragon” WIP on her blog this week – and threw down the gauntlet to the rest of us who dared.

Well, I’m game.

The challenge goes like this. Go to page 7 or page 77 of your WIP. Count down seven lines. Post the following seven lines for everyone to read.

So, here it is. Seven lines from page seven of The Dictator’s Daughter.

Whenever possible Adrian took his place at Liri’s right hand, almost always a little too close for her comfort. An involuntary shudder ran down her spine when she thought about how many times he seemed to be just on the edge of acting inappropriately intimate for a member of the presidential staff.

“He earned this position by fighting for it,” she continued. “He’s as fast as a snake and able to quickly size up any opponent’s weaknesses. Olek and Engel are the only two he didn’t defeat. And not for lack of trying, he still seems to take our practice drills way too seriously. I’ve wondered if he isn’t still trying to compensate for something.”

So? What do you think?

Go ahead. Feed my paranoid ego and tell me you want more … or at least want to know why Adrain is such a weasel.

I doubt many have escaped the relentless buzz surrounding Hunger Games the movie, opening March 23 here in the U.S. – and the increasingly tired comparisons being drawn between this dytopic series and the last blockbuster young adult novel/movie franchise, Twilight.

For clarity’s sake, these are the points these two series have in common.

Hunger Games producer says comparison makes no sense

1) They are both hugely popular book series.

2) They feature a teenage girl and two teenage boys between whom she feels she must choose.

3) Ummmm… yeah. I think that’s about it.

I have explained before why the Twilight Saga has struck such a deep chord among it’s mostly female audience, and it’s all about the love. Some have analyzed The Hunger Games the same way, calling the charismatic hunter Gale the embodiment of Eros (romantic) love and the gentle baker Peeta the representative of Agape (unconditional) love. While I really like that analogy – that is only a minor theme in the series, otherwise we would not keep reading all those pages where neither of the young men are involved.

For those not up to speed, here are the synopsis. In Twilight, human girl Bella Swan finds herself torn between the enigmatic vampire Edward Cullen and the dangerously passionate werewolf Jacob Black. Thematically, her choice is between Edward’s eternal love and Jacob’s unconditional love.

The Hunger Games are set in a future 75 years after America has been destroyed by civil war. The resulting nation is divided into 13 districts ruled with an iron hand by the capitol city called Panum. Each year two teenagers are selected from each district to compete in the Hunger Games as “tributes”. The winner is the one who survives. District residents are required to watch their children die in the arena while residents of the Capitol make lavish bets on their favorites. Katniss Everdeen volunteers to replace her younger sister who had been pulled in the drawing. She leaves behind her younger sister, widowed mother and the handsome Gale, her best friend and hunting partner. The male “tribute” is the baker’s son, Peeta, whom she barely knows. Peeta has always known Katniss and has loved her from afar since childhood. Yet, in order to survive, they will eventually have to see each other as the enemy.

When I read these books the pieces of popular culture that kept coming to mind were not love stories. Twilight was the furthest thing from my mind. They were pieces of literature like Orwell’s 1984, Shirley Jackson’s The Lottery, and the 1987 Arnold Schwarzenegger movie The Running Man in which criminals could earn their freedom by competing to the death through a deadly maze. I was reminded of stories in which violence and resistance defined and refined the characters. In spite of the incredibly violent content, Hunger Games author Suzanne Collins is decrying the increasingly violent aspects of our culture.

Mennonite pastor Marty Troyer nails the pacifist theme throughout The Hunger Games trilogy in this excellent Pangea Blog post. He explains how Collins drags us through the pain inflicted by Dominant Violence, used by those in power to keep their power. And how the resulting Resistant or Revolutionary Violence can become just as bad. The problem with Resistant Violence, as our heroine Katniss learns, is that it very easily can become Dominant Violence itself.

In fact, the most jarring scenes in the series are when Katniss acts out violently against the powers manipulating her: shooting Coin instead of President Snow and voting for a final Hunger Game featuring the formerly exempt children of the privileged Capital residents.

And it challenges us today. Last summer saw the rise of the 99%, protesting against corporate rule and cultural inequalities. Just this past week the Kony 2012 campaign against a revolutionary fighter whose violence surpasses inhumane, calls for action – but what action is most appropriate? The strength of peaceful resistance has been on my mind lately since reading Blessed are the Peacemakers by Daniel Buttry. This collection of biographies demonstrates exactly how dangerous intentional peacemaking can be, but how very worth the sacrifice and difficult choices can be in the end.

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A few weeks ago, when Pat Robertson put his well-heeled foot in his mouth once again, I mentioned a Venn Diagram chart of assumptions and actual findings. Sadly I lacked the technical skill to create the diagrams on short notice, but my friend and colleague John Hile whipped these up for me with ease.

Does this capture what you expected from the Twilight Saga? What would you put in a diagram of the story?

Hey look! Here’s your chance to get Glitter in the Sun for free!

Goodreads Book Giveaway

Glitter in the Sun by Jane Wells

Glitter in the Sun

by Jane Wells

Giveaway ends March 19, 2012.

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at Goodreads.

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